5/19/2023 0 Comments Deepfocus io![]() Everyone that received one of his claaps said to him “that’s great. I want to structure it a bit.Ĭlaap expanded very organically in the Product org. Before recording their claap, people will say to themselves: "Wait, I don't know who is going to see this video. ![]() The magic? Having time to think, instead of talking on the spot. Timothée quickly found that what would have taken half an hour in a meeting to be communicated, with a claap it took 5 minutes. Since people are very comfortable with the writing exercise, a claap is more interactive, more intuitive and at the same time, it forces the person to structure their thoughts. The power of asynchronous video collaboration I thought Claap could be another way to do asynchronous work. He first tested with one-pagers, but soon realized that not everyone had this mindset, to write a document and pass it on. Timothée knew he needed to find a way to solve this, to limit synchronous communication a bit. This resulted in six to seven hours of meetings per day, a big problem for Product teams that need at least 3 to 4 hours a day of deep focus. As soon as someone has a project on which they want to move forward, they will send you a Slack, or they will book a meeting. It’s horrible because you’re constantly switching contexts. The two big product issues we have today that are specific to Kavak are internationalization and how do you change the habits of a company that already has 8,000 employees.Īs Timothee explained to us, opening in new markets with a Fintech product is a balancing act: you want to build a global product – to benefit from economies of scale – while respecting local laws.Ī third underlying problem that amplified the first two was the instant culture: everything was going through Slack and Meetings. So we sat down with Timothee Trichet, Kavak’s Head of Product, to understand the challenges of this rapid growth. Just in the tech team, they are around 1,000 people. They expanded very quickly from a car reseller solution to a company that now offers additional services like car maintenance or financing plans for buyers.įounded in 2016, Kavak is now present in seven countries with an impressive 8,000 workforce. Valued at almost US$ 9 billion, they are also the first Unicorn Company in the history of Mexico. Keep checking back for the latest IFFR 2019 programme updates.Kavak is one of the most successful companies in Latin America. Last year we dove into the work of Argentinian filmmaker José Campusano and Polish artist Artur Żmijewski. Retrospectives Here we present extensive retrospectives and the filmmaker’s oeuvre. ![]() In 2018, for example, we showed a selection of films by Dutch experimental film pioneer Frans Zwartjes, who had recently passed away. Regained Regained is all about casting new light on existing film material by means of restored classics, films about film, experimental works and installations. Last year, Apichatpong Weerasethakul introduced Thai filmmaker Mont Tesprateep, and Alfredo Jaar’s Acolyte was the Portuguese artist Grada Kilomba. We also ask these names to introduce a young and emerging artist of their choice, whom we call their ‘Acolyte’. Past years brought films such as Insect by Jan Švankmajer, La Flor (Parte 1) by Mariano Llinás, and Lav Diaz’s The Woman Who Left.įrameworks Launched last year, this programme invites major voices from the art world to show their work to an international film audience. ![]() Yervant Gianikian’s I diari di Angela – Noi due cineasti will feature as part of this programme for IFFR 2019 for example. Signatures In Signatures we present new work by established makers, auteurs and festival veterans.
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